Price: Nrs. 11,000.

A training hall under construction- designed and built by INBAR‘s Nepali-Colombian architect duo Nripal Adhikary and Juan Carlos Jaramillo. This 2200 sq. meter building is the largest bamboo structure in East Africa. It is part of an initiative of INBAR to introduce bamboo- ubiquitous but under utilized material- in East Africa. This is built in Makerere University in Kampala, Uganda, using local bamboo and local human resources. The cost is estimated to be 30-35% cheaper than conventional material.

After long and arduous battle our kitchen is finished. The tiles looks awesome. They are made on site! They have no embodied energy what so ever- meaning they are not burnt.

During this construction, we have followed a very conventional philosophy i.e. a sound hat and a sound boot is all what you need for protection. Bamboo is delicate, its vulnerable but if used properly can be hardy and durable. 

May this be the year of bamboo and mud. Our cantina is in its final stage. The trusses are complete. The structure is about 120 sq. meters in area. It uses locally harvested, locally treated bamboo which are constructed using local labor. Its a nice execution of our motto “think global, act local” It is built in a remote village called Harsar in the southern plains of Nepal. According to our calculation, the structure costs more than half compared to concrete and steel. Moreover, the structure has become pride of this impoverished but ambitious little village.

Gate in many cultures symbolize invitation. Gates were (are) built on seas, mountains, rivers and streets to welcome the gods. In festivals seasons, Nepalis still build large structured gates, which almost look like bridges. Here is an example of a large bamboo temporary gate, built for the harvest season. Notwithstanding the cultural value, its an engineering feat in itself: connected with simple ropes and built without any foundation, they withstand heavy loads and fierce winds.  Moreover, these massive structures are built with no more than four people.

It is sometimes strange how design can reinforce or dismantle hierarchy. We weaved a traditional khatiya in our recently built pavilion, and this has been a center of attraction in the whole village. People sit on it irrespective of their caste, class or gender distinction. In a village like harsar, which is still mired in traditional caste system, for everyone to sit on one bench is indeed an achievment. Had we put a normal “modern” chair the reaction would have been totally different; as chairs, interestingly enough, connotate hierarchy.

216.. An extensive plantation in public and private lands will be carried out in the form of a campaign with the objective of expanding the forest area and reducing the excessive pressure on public forest area as well as to increase income generating opportunities through strengthening of local supply. For this, 11.5 million plants including fodder grass,cane, bamboos and herbs will be produced and planted and provision of care will also be made. The policy of “One Place One Species” will be adopted in such plantation programmes.

217. At least 75000 families from poor class Dalits, Janjatis and other marginalized people will be provided with the opportunity of income generation through forest based industries and occupations and leasehold and community forests.

We need to congratulate our Finance Minister for encouraging marginalized people to use their sophisticated traditional skills as a source of livelihood. Perhaps we just need to encourage some designs as well, so that the traditional products get the competitive edge. “Design”, is always perceived to be somewhat of a decadent activity, so it hardly invokes a policy level debate. There are always budgets for the “development” of traditional skills, but yet this sector tend not to get the expected result as these product fail to entertain the modern market because they dont have the designs. People have realized that the market is essential; but not the design. Its a catch 22 situation- you dont have the market if dont have the design and vice versa. It’s clear that a design institution need to be established, so that people can use their traditional skills to make products that cater to the modern sensibility